000			03948cam a22005414i 4500
001			991052914659706706
003			ES-BaCBU
005			20240712174609.0
008			190806s2019 cc a 000 0 eng c
020			_a9789869758802
020			_a9869758800
035			_a(ES-BaCBU).b73360685
035			_a(OCoLC)1251795091
040			_aES-BaEESI _bcat _erda _cES-BaEESI
041	0		_aeng _achi
050		4	_aZ48 _b.N6 2019
080			_a655.227
082	0	4	_a686.2 _223
245	0	0	_aNo magic in Riso / _cBook concept & design: O. OO Design & Risograph ROOM ; editors: Lu Ihwa, Liu Yuxian, Vivian Wang, Pamina Reisinger
264		1	_aTaipei, Taiwan : _bO.OO Design & Risograph ROOM, _c2019
300			_a1 volum (no paginat) : _bil·lustracions en color ; _c18 cm + _e10 cartes de colors
336			_atext _btxt _2rdacontent
336			_aimatge fixa _bsti _2rdacontent
337			_asense mediació _bn _2rdamedia
338			_avolum _bnc _2rdacarrier
505	0		_aNo magic in Riso: if there is no magic in Risograph, then why make this book? -- Index (Image in use) -- Risograph? You must first get to know the characteristics and limitations of Riso -- Juicy vibrant colors -- Overprinting -- Registration inaccuracy -- Uneven performance -- Halftone & dot formation -- Gradient effect -- Uncoated paper -- Two confusing color models: RGB color model ; CMYK colors -- Before stepping into Riso color separation experiment -- Choosing Riso colors -- Riso printing process -- Light and dark of the image -- Hex codes of Riso colors -- Color separation experiment -- Color separation in CMYK mode -- 4 color separation -- 3 color separation -- 2 color separation -- Color separation with duotone mode -- 2 color separation -- 3 color separation -- 4 color separation -- Halftone dots in Riso prints -- Exploring Riso colors -- Duotone color palette -- Different color combinations in images -- Tritone color charts.
520			_a"It took 850 days, 74 tubes of soy ink, 15 colors, 660 masters, 690,000 sheets of paper, 3 fans, 2 riso printers, and 4 people to complete a book -- a 360 page book that only talks about 1 thing. The thing that is always the most fascinating is 'Process'. The processes and experiences that did not have the chance to appear in the pages of this book can only be quantified, converted, and recorded into words. 'No Magic in Riso' is the result of 2 years of image separation studies and experiments, and is the second book published by O.OO, continuing the spirit and purpose of 'Imperfection Booklets' published 3 years ago. Instead of using wordy descriptions, we hope that readers can feel the wonders of Risograph printing through the details of the design in the book. Whether you are a designer, an artist, or an illustrator, anyone interested in color can use this book to enter the field with ease. The methods discussed in this book are not the one and only, and are not absolute. Everyone's way of experimenting is different, and this book just offers our experience as a tool. Without the participation of people, the technology is plain and void of charm. Thus, the title No Magic in Riso."
546			_aText en anglès i xinès
650		7	_aImpremta _2thub
650		7	_aReprografia _2thub
650		7	_aCromotipografia. _2thub
650		7	_aGravats en color _2thub
650		7	_aRisografia _2thub
650		4	_aReprografia
650		4	_aEstampes _xTècnica
650		4	_aImpremta _vMostres
650		4	_aColor _xImpressió
700	1		_aIhwa, Lu, _eeditor literari
700	1		_aYuxian, Liu, _eeditor literari
700	1		_aWang, Vivian, _eeditor literari
700	1		_aReisinger, Pamina, _eeditor literari
710	2		_aO.OO Design & Risograph ROOM, _edissenyador gràfic, _eeditor
907			_a.b73360685 _b21-06-21 _c01-10-19 _d01-10-19 _em _fa _g- _heng _icc _j0 _k0
908			_aELISAVA _aUB _aUAB
940			_aOCLC
942			_2udc _c1
999			_c9551 _d9551